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periodismo publicidad

Los riesgos del periodismo de marca: entrevista con Enrique Dans

Ilustración: Metzger.com

Una nueva tendencia ha comenzado a cobrar fuerza en Europa y Estados Unidos. Se trata del periodismo de marca (brand journalism), donde grandes compañías deciden crear sus propios medios de noticias en internet.

Algunos de los casos más representativos en la actualidad son Coca-Cola Journey,Free Press (de Intel), The Financialist(propiedad del banco Credit Suisse), The Network (Cisco), Business Without Borders(banco HSBC) y CMO (Adobe).

No son portales que publiquen exclusivamente comunicados de prensa de las marcas a las cuales pertenecen, sino que se dedican a desarrollar noticias relacionadas con el campo de acción de sus empresas propietarias, para atraer a una audiencia interesada en tales tópicos. Tecnología en el caso de CMO y The Network, o negocios en el caso de Business Without Borders y The Financialist.

Sin embargo, esta nueva forma de periodismo implica una serie de riesgos desde los puntos de vista de la audiencia, los periodistas y los medios tradicionales. ¿Se le está ofreciendo a la audiencia publicidad disfrazada de información? ¿Terminarán las marcas contratando a los mejores periodistas? ¿Amenaza el periodismo de marca a los medios tradicionales?

Con el fin de debatir respecto a estas inquietudes generadas por el auge del periodismo de marca, la Red Ética Segura de la FNPI contactó a Enrique Dans, profesor de tecnologías de la información en el IE Business School de Madrid.

El profesor Dans fue recientemente citado en un artículo de El País dedicado a abordar el “boom” del periodismo de marca, donde declaró que destacó el caso de muchos CEO quienes ya venían utilizando sus blogs para comunicarse con el público y compensar informaciones desfavorables. “Fue así como Bob Lutz, presidente de GM, logró contrarrestar artículos contra él aparecidos en The New York Times”, dijo al diario español.

En entrevista concedida a Hernán Restrepo, gestor de contenidos de la Red Ética de la FNPI, el profesor Dans ofreció su punto de vista sobre la forma en que el periodismo de marca se puede ejercer de manera profesional y objetiva.

Escuche la entrevista completa aquí

De acuerdo al profesor Dans, autor del libro “Todo va a cambiar. Tecnología y evolución: adaptarse o desaparecer”, el apogeo que está teniendo el periodismo de marca se debe no tanto a que puede presentarse como una nueva alternativa de trabajo para los periodistas desempleados, sino más bien a lo que llama “la web social”, la cual permite que cualquier portal de internet tenga un alto número de visitas si el tema del cual trata su contenido logra tener relevancia para motores de búsqueda como Google.

“Las barreras de entrada para la producción de contenido han bajado muchísimo. Antes, para crear un periódico debías ser una empresa especializada en prensa y tener una redacción enorme. Ahora en cambio, organizar una redacción es mucho más sencillo y cualquiera desde su casa puede tener una buena publicación”, explica Dans como otro de los factores que han permitido el crecimiento del periodismo de marca.

De acuerdo al catedrático, en el futuro veremos buenos y malos ejemplos de la implementación del periodismo de marca. Por un lado, los malos ejemplos serán los de aquellas corporaciones que disfrazarán su estrategia de marketing unidireccional tratando de hacer ver sus notas de prensa como noticias, y que en consecuencia terminarán teniendo portales de periodismo de marca que no tendrán relevancia alguna. De otra parte, las marcas que lo entiendan correctamente, permitirán un desarrollo profesional financiando proyectos periodísticos de calidad que a largo plazo beneficien la reputación de la empresa.

“La propia selección natural nos llevará a que las marcas tengan un genuino interés por informar en una serie de temáticas que tengan una proximidad a su audiencia. Si eso se hace razonablemente bien, estas marcas terminarán teniendo éxito y se convertirán en un referente para temas específicos”, concluyó Dans.

Los riesgos del periodismo de marca: entrevista con Enrique Dans.

Categorías
medios

Inside Forbes: 9 Trends Journalists Must Know About To Keep Their Careers Going – Forbes

The news business is changing fast — again. That’s because the ad business is changing fast — again. Or is it because Facebook FB -0.13% is changing the ad business, or because Twitter and Linkedin are changing the news business. Day by day, the big social sites look and act more like media companies, delivering all manner of content and advertising. Next up: with a combined audience of 1 billion, what role will Yahoo YHOO +0.54%, a portal, and Tumblr, a social blogging network, play in this media puzzle?

One thing is clear: news organizations and their journalists must jump into this free-for-all — or be hopelessly left behind. As someone who builds news experiences, I’m focused on people and products. Nearly 35% of our editorial and product team has joined us over the past three years, all with skills that never existed here before. What talent do we need now? Two years ago we launched a new kind of article page for a new kind of content model — and watched our audience surge to 48 million unique monthly users from 18 million (as measured by Omniture). How must that page and model evolve in the months ahead so we can keep pace?

Here are 9 key factors we’re constantly talking about as we adjust our product plans for the next six months:

1) Networks: Not those dying, one-way broadcast and cable news models. I am talking people networks offering an immersive social experience that generate a huge number of money-making page views. Facebook accounts for more than a trillion of them a month, or at least 25% of Internet traffic. With that kind of usage, who needs pay walls, the newspaper industry’s latest Hail Mary. The rise of programmatic buying of ad inventory, a scary challenge for any traditional media company, plays to the strength of Facebook’s scale, whether its desktop or mobile. Just as threatening, who needs editors when friends produce more relevant, if not more trustworthy, news digests. Social networks do need to keep consumer fickleness in mind. After the Yahoo-Tumblr news broke, Matt Mullenweg, WordPress’s founder, said 72,000 Tumblr users an hour weinventory to keep the lights on. There are only so many full-time journalists that any news organization can hire in a world of falling CPMs. It becomes increasingly necessary to build a platform experience by distributing easy-to-use publishing tools to a broader array of content creators, including freelancers, commenters and others.

3) Rivers and Streams: They are everywhere — Facebook, Twitter, Linkedin and some news sites. FORBES introduced them a few years ago on our home and channel pages. Yahoo is in the game, too, implementing a river, or stream, of headlines on its home page that either link internally to Yahoo pages or externally to other sites, including Forbes.com (note: we’ve seen solid traffic from the Yahoo stream, more evidence that consumers scroll to find what interests them). They’ll soon become ubiquitous.

4) Mobile Summaries: Many believed the digital era would kill off long-form content. Not so. If it’s quality content, people will consume it no matter what the length — and even pay $1.99 and up for it, particularly on tablets. VC money continues to find its way into journalism, micro publishing and ebook startups focusing on creating and distributing professional content. Still, in a smartphone world, the summary is shaping up to be the next hot thing. Yahoo just bought Summly, which uses algorithms to summarize news on mobile devices, for a reported $30 million. Circa, from Cheezburger Network, does the same using human beings, then provides mobile updates without the traditional journalistic “write-through” of an article.

5Shareable content: Lite fare travels at light speed across the social Web, way faster than the harder stuff. For many news organizations, it’s the new pixie dust. Three years ago, less expensive, search-driven, user-generated content was the rage (USA Today partnered with Demand Media DMD 0%, getting 4,000 keyword-rich travel tips). Last week, CNN joined forces withBuzzfeed, looking to that startup to turn its brand of cable news journalism into the more shareable kind.

6) Ad view-ability: For a decade if not longer, every marketer insisted that its display ads be at the top of the digital screen. Now they’ve determined that consumers can scroll faster than rich media ads can load on a page. The result: many are not seen and industrywide clickthrough performance is lower than ever (about 0.005%). So now it’s about viewability — making sure consumers can see a display ad for at least a second and maybe even click a bit more. That means as readers scroll down a page, some ads will move down the page, too. Other times, longer scrolls will mean more ads will come into view nestled next to text.

7) Programatic buying: Google’s consumer search engine is the #1 source of audience referrals for most publishers. Its acquisition of Doubleclick gave it the largest market position for publisher and advertiser ad serving, called DFP and DFA (DART for Publishers and DART for Advertisers). And it has the largest auction-based marketplace of buyers (called AdWords) from its dominance in Paid Search.  This resulted in Google’s AdX exchange becoming the dominant advertising exchange for transaction processing of ad impressions. Supply + Supply Chain + Demand = more programmatic buying than ever at advertising rates far below premium display pricing.

8) Native advertising: FORBES helped lead the way nearly three years ago. Now it’s everywhere, from The Atlantic to The Washington Post. I’ve read reports that even The New York Times is considering ways to integrate branded content on its pages. The trend of brands as publishers is also giving new life to the decades-old business of custom content. Those marketers not yet ready for native or custom are pushing deeper in the sponsorships — editorial content created around topics of  interest to marketers s but still controlled by the journalists producing it.

9) Video: Marketers can’t get enough of it and news sites love the high CPMs. The rub: building scale remains difficult for for any news site that’s not a broadcast or cable outlet, and building profitability in partnership with those that have scale (YouTube and Hulu) is equally challenging. In balancing the resources and effort against the return, lite-fare video may hold promise, particularly for organizations such as FORBES that can focus on curating their own content vs. aggregating the Web.

All of the above intersects in one way or another with the article page, like the one you’re reading right now. This version helped us win a Tribeca Disruptive Innovations award. No matter, the time has come to reinvent, to build a new screen that delivers quality content and provides inventory for new forms of advertising. Making adjustments so that every pixel delivers for our 1,000 content creators and are marketing partners will help us attain our ultimate goal: to build a sustainable model for advertising-supported journalism.

Inside Forbes: 9 Trends Journalists Must Know About To Keep Their Careers Going – Forbes.

Categorías
medios

Where Newspapers Are Alive And Kicking – Forbes

I found this graphic from Statista interesting because I remember living it, on the ground, in Sao Paulo.

The newspapers were thick.  Folha de Sao Paulo was so big on Sunday you could do upright rows with it and build killer trap muscles.  They sold recipe books. People bought it. And they talked about it. It is, and was, The New York Times…before the news aggregators killed it.

The newspaper business is “thriving”.  I put that in quotes because, as a journalist with 15 years in, I think it is thriving in Brazil and in countries throughout Asia because the poor are getting richer. They’re reading more.  I don’t have any evidence for this, but I think that the middle class and the rich will start to read more on their smartphones and tablets.  They’ll browse free content. There will be no need to subscribe. Some will have to pay for access to newspapers like Folha. Some papers will be very sparse with their digital content, like Estado and Valor Economico, the nation’s leading business daily.

But then there’s the beauty of a lack of competition.  There’s not a hundred different websites writing about novellas and “futbol” stars. There’s maybe half a dozen. Huffington Post Brazil and The New York Times like this market, but both of them are at odds.  The NYT wants paper subscribers and don’t have the manpower to compete with the original content that Estado, Folha and Globo pump out. I see small numbers at HuffPo Brazil and NYT in the future. It will be a very expensive endeavor, and Brazilians will call it Huffington Postchie, which just sounds stupid and no one will want to read it as a result.

“Cara, voce liu o Huff Postchie?”  

I don’t think so.

So that brings us to the newspapers.  American media can only be impressed with these numbers down south and out east.

Newspapers in Asia and Latin America have  seen substantial increases in circulation and ad revenue over the past five years. The above chart by Statistashows changes in newspaper circulation and advertising revenue between 2008 and 2012.

Where Newspapers Are Alive And Kicking – Forbes.